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Venetian Snares - Rossz Csillag Alatt Született mp3 flac

Venetian Snares - Rossz Csillag Alatt Született mp3 flac Performer: Venetian Snares
Title: Rossz Csillag Alatt Született
Style: Modern Classical, Breakcore
Released: 2005
FLAC album: 1019 mb
MP3 album: 1764 mb
Rating: 4.2
Genre: Electronic


Öngyilkos Vasárnap3:26
Szamár Madár5:49
Felbomlasztott Mentökocsi3:44
Galamb Egyedül1:36
Kétsarkú Mozgalom8:50
Második Galamb6:01
Senki Dala2:16


CategoryArtistTitle (Format)LabelCategoryCountryYear
ZIQ111CDVenetian Snares Rossz Csillag Alatt Született ‎(CD, Album)Planet MuZIQ111CDUK2005
ZIQ111Venetian Snares Rossz Csillag Alatt Született ‎(2x12", Album)Planet MuZIQ111UK2005
ZIQ111CDVenetian Snares Rossz Csillag Alatt Született ‎(CD, Album)Planet MuZIQ111CDUS2005
ZIQ111CDVenetian Snares Rossz Csillag Alatt Született ‎(CDr, Album, Unofficial)Planet Mu ZIQ111CDRussia2005
ZIQ111Venetian Snares Rossz Csillag Alatt Született ‎(2x12", Album, Ltd, RP)Planet MuZIQ111UK2012
ZIQ111Venetian Snares Rossz Csillag Alatt Született ‎(2x12", Album, Ltd, RE, Sil)Planet MuZIQ111UK2015
ZIQ111Venetian Snares Rossz Csillag Alatt Született ‎(2x12", Album, RE)Planet MuZIQ111UK2015
ZIQ111CDVenetian Snares Rossz Csillag Alatt Született ‎(11xFile, MP3, Album, 320)Planet MuZIQ111CDUKUnknown
ZIQ111CDVenetian Snares Rossz Csillag Alatt Született ‎(11xFile, WAV, Album)Planet MuZIQ111CDUKUnknown
ZIQ111CDVenetian Snares Rossz Csillag Alatt Született ‎(CD, Album, RE)Planet MuZIQ111CDUKUnknown
ZIQ111CDVenetian Snares Rossz Csillag Alatt Született ‎(CD, Album, RE)Planet MuZIQ111CDUKUnknown
ZIQ111CDVenetian Snares Rossz Csillag Alatt Született ‎(CD, Album, RP)Planet MuZIQ111CDUSA & CanadaUnknown


Rossz Csillag Alatt Született by Venetian Snares, released 14 March 2005 1. Sikertelenség 2. Szerencsétlen 3. Öngyilkos Vasárnap 4. Felbomlasztott Mentökocsi 5. Hajnal 6. Galamb Egyedúl 7. Második Galamb 8. Szamár Madár 9. Hiszékeny 10. Kétsarkú Mozgalom 11. Senki Dala What if, for just a day, we could both be pigeons Sometimes one moment in time can take on such an important significance that it becomes an endless world unto itself and everything outside of that moment, past and future spots in time, become the folklore of that world. Paul Jordan OST A groundbreaking album and a must have Snares release. Favorite track: Hajnal. Your Mum. I won't make a habit of it, though, cause I'd like to keep Csillag Alatt Született Hungarian: is a 2005 album by Canadian electronic music producer Venetian Snares, released on the Planet Mu label. Inspired by a visit to Hungary, the album title and all of the track names are in Hungarian Rossz Csillag Alatt Született translates to Born Under the Wrong Star , a Hungarian expression which means cursed from birth. Stylistically, the album consists of classical strings and brass combined with breakbeats. Listen free to Venetian Snares Rossz csillag alatt született Sikertelenség, Szerencsétlen and more. 11 tracks 46:42. Rossz Csillag Alatt Született Hungarian pronunciation: is a 2005 album by breakcore artist Venetian Snares, released on the Planet Mu label. Inspired by an earlier journey of Aaron Funk's to Hungary, the album title and all of the track names are in Hungarian Rossz csillag alatt született translates to Born Under a Bad Star. Venetian Snares: все альбомы, включая Rossz Csillag Alatt Született , Traditional Synthesizer Music , My Love Is A Bulldozer и другие. Songs in album Venetian Snares - Rossz Csillag Alatt Szueletett 2005. Venetian Snares - Sikertelenseg. Venetian Snares - Szerencsetlen. Venetian Snares - Oengyilkos Vasarnap. Venetian Snares - Felbomlasztott Mentokocsi. Venetian Snares - Hajnal. Venetian Snares - Galamb Egyeduel. Venetian Snares - Masodik Galamb. Venetian Snares - Szamar Madar. Aaron Funk Venetian Snares appropriately covered Seress and sampled Holiday's dread on Rossz Csillag Alatt Született, his 223rd album of shattering breakbeats and post-Aphex Twin poetics in the past five years. It's also his sharpest left turn to date, although Funk's juxtaposition of drill'n'bass beats with chamber orchestral sounds has been done by others for more than a decade, most notably on Aphex Twin's I Care Because You Do. Rossz Csillag Alatt Született. Your Rating. Lesen Sie Rezensionen und informieren Sie sich über beteiligte Personen. Album 2005 11 Songs. Rossz Csillag Alatt Született Venetian Snares


Listen to music from Venetian Snares like Hajnal, Öngyilkos vasárnap & more. Find the latest tracks, albums, and images from Venetian Snares: все альбомы, включая Greg Hates Car Culture , Venetian Snares x Daniel Lanois , Traditional Synthesizer Music и другие. Traditional Synthesizer Music by Venetian Snares, released 19 February 2016 1. Dreamt Person v3 2. Everything About You Is Special 3. Slightly Bent Fork Tong v2 4. Magnificent Stumble v2 5. Decembers 6. Can't Vote For Yourself v1 7. You And Shayna v1 8. Goose And Gary v2 9. Anxattack Boss Level19 v3 10. She Married A Chess Computer In The End 11. Health Card10 12. Paganism Ratchets Traditional Synthesizer Music is a collection of songs created and performed live exclusively on the modular synthesizer by Aaron Funk. Each sound contained within was created purely with the modular synthesize. Aaron Funk born January 11, 1975, known as Venetian Snares, is a Canadian electronic musician based in Winnipeg, Manitoba. He is widely known for innovating and popularising the breakcore genre, and is one of the most recognisable artists to be signed to Planet Mu, an experimental electronic music label. His signature style involves meticulously complex drums, eclectic use of samples, and odd time signatures, in particular, 74. Venetian Snares. Biography by John Bush. Follow Artist. Prolific Canadian electronic producer known for impossibly fast, complex sound constructions with convoluted time signatures. Read Full Biography. Overview . Biography . venetian snares. Venetian Snares is the main pseudonym of Canadian electronic music producer Aaron Funk born January 11, 1975. He mostly does Breakcore tracks and is . Настоящее имя: Aaron Funk. Occasionally a nice melody or voice. The amount of music he has released is almost inhuman. The only other artist I've seen that has released more is Milieu. Been listening to him since his Music for cats lp


Comments: (58)
Amazing record; does it for me in all the right ways; beautiful strings and intense drum programming...
This ones sounds perfect on my setup really nice pressing for a silver/grey pressing.
Great pressing for this masterfull record. This edition comes highly recommended!
elegant stranger
This Record is just a masterpiece. It contains some minor crisp but here I am in the opinion it adds value to the record. I just love to play this records on mornings when I wake up with some charras and coffee.
so this release...this is a solid pressing. sounds pristine and clear but next to impossible to get. almost more difficult than the silver rsd 2015 one, but so worth it for the clear and crisp sound AND full sleeve artwork. I would highly recommend picking this up if you see it about.The only issue is that as a sought after release of a very sought after album, its one of those records that you kinda dont want to play in case something happens to it lmao.
I've realised that the haunting Hungarian depression music sounds even more haunting on a worn slightly dirty record. perfect. Breakcore made beautiful this one. GET GET GET
Can anyone confirm if this version has the sleeve with full artwork (like the RSD version), as opposed to the cheap sticker artwork of the original?
Definatly a cover worth framing on the wall
Thank you for confirming. :)*gets wallet out*
Yes, the full artwork is on the sleeve alike the RSD version.
masterpiece classic
Cherry The Countess
Repress on it´s way
great ant
Apparently this is at very limited quantities, anyone know how many copies of this got put out? I already ordered mines but I just noticed that they just recently went out of stock on it.
This one is regular black, the silver ones are extremely limited
Gonna be honest here, I was actually incorrect about the information being limited as I was looking at a news article for the 2012 repress. My bad. I would have to presume that this is in limited quantities since it sold out very quickly on the Planet Mu website, but who knows. There hasn't been a lot said on this repress to be frank.
I can't find anything on this issue being "very limited edition". Where can I find that information?
This should be regular wax. The "gimmicky" editions were RSD. :)
ᵀᴴᴱ ᴼᴿᴵᴳᴵᴻᴬᴸ
I'm very unsure, but I have a feeling this is going to be akin to the repress that they did in 2012, albeit in better quality possibly.
No idea. I just got my copy ordered off of Juno and they still seem to have them in stock. Any clue if this is going to be the gimmicky silver edition or regular wax?
Comparing both releases there is little difference apart from the fact that the newer versions sound a little more crisp and the sleeve art is full artwork which is quite nice if getting either i would prefer the rsd version as its just slightly better, all the represses sound great btw the mastering is quite nice on them all.
Anyone know if there's any difference between the original pressing and the 2012 repress?
That information could be useful to me too! Anyone ?
Golden freddi
This release sounds SUPER, i think better than the original!
Does anyone else's copy have a significant amount of surface noise and distortion that's really apparent during some of the quiet parts?
Here Im, 4 yrs after. I gave record Knosti disco-antistat cleaning and now i enjoy of this great album. It sound great...
My copy (both vinyls) sounds very cool without noises. The artwork & coloured vinyls look great but it also sounds great.
I have. Mine is full of static and C3 is unlistenable. It plops and clicks from start to finish, but C3 is impossible to listen.
Mine has a small amount, but nothing that comes close to interfering with my listening. Overall, it is a fantastic sounding press. I did give it a good cleaning before playing.
Yes, mine suffers from significant surface noise on side A and B but not really on C and D. I will try give it a wet clean to see if there's just residue left over.
Mine sounds fantastic, definitely one of the best albums i own quality wise
Actually yes I am surprised, considering every other RSD record I bought, including 2 of the other colored Venetian Snares reissues, sounds pristine on first listen.
RSD, are you surprised?
sure it is not hum or buzz?
Venetian Snares goes classical with ROSSZ CSILLAG ALATT SZULETETT, from the modern piano piece of "Sikertelenség" to the scrambled, reconfigured and breakbeated orchestra of "Szerencsétlen." He takes a snippet of Billie Holiday in "Öngyilkos Vasárnap" for a moody track, and reappropriates an entire string movement in "Hajnal" for a drum'n'bass workout. "Második Galamb" takes a quieter approach from the outset, though the breaks hold steady and the track grows in volume, particularly once the horns come in until it bursts into chaos. "Szamár Madár" is more straightforward, replete with operatic vocals, while the looped section of "Kétsarkú Mozgalom" gives it an itchy, paranoiac feel that's borne out in the rhythm. "Senki Dala" takes the album out with some guitar, as well, in a drifting, moody ambient piece. Quite nice.
Szamar Madar, which I suppose is Venetian Snares' most recognizable track, is downright amazing. Otherwise, I'm not too enthused by the "punk" sound this group brings to the table, which can be harsh on the ears and sound like noise. I must, however, concur with the other reviewer who pointed out that all Venetian Snares does is take masterful classical music and add a beat to it. The real credit should go overwhelmingly to the composer.
its only one guy dude
Most listenable and accessible album by the Snares so far.But also one of my favourites (#1 or #2).Why ? First, because this album lives as a whole journey.Secondly, this is marvellously orchestrated/arranged : samples, synths and drum breaks answer to each other in a perfect and unheard way so far. On "my downfall", Snares attempted to do this without sample, but he mainly did chords changing at the beginning of each bar, and that's all. Here, everything is beautiful because of these questions/answers and because all of the tracks with drums go to a pinnacle of melancholy and tortured sadness.I prefer the "ambient" tracks to those in "my downfall" because i can understand their meaning. The mood of the album is kept throughout all the tracks.In Snares' top releases, with Doll Doll Doll, Winnipeg and HCCBU.
Everyone keeps calling this a breakcore album. This is clearly DnB. Have these people even heard breakcore before?These drums & their editing are far too close to late 90's Squarepusher to ever be considered breakcore. If you want to hear breakcore, listen to Bomb20, DJ Scud, old Alec Empire, FFF, or Amboss.
And by the way: Amboss calls his Tracks DnB or Hardcore DnB.
And why do you know it better than everyone?
This comment would be relevant if 7/4 DnB ever existed.
Exactly. People this is BREAKCORE.
IMO, in the not so distant future when we are talking with our music enthusiast's, Die hard track hunters, and IDM heads. This will be one of those albums that will be thought of as a truly heavy groundbreaking moment in modern underknown sound. I find that very few things can compare with a start to finish run of this album, 46 minutes of Heavy Jungle Drums and unforgettable heartbroken orchestra's. Hats OFF to the MAD Percussionist for this life changer. Highlights.- Tracks 1-4 and how they complement one another for such a Heavy Downside Start off- Gloomy Sunday * First track I heard from this release.*- Disintegrated Ambulance, Incredible tune, the sound just seems to pull you soul off the map and right back into the heart of it.- Bi Polar Culture, 8mins of Joy and Sorrow. Big Up VSnares
absolute masterpeice. by far his best release. got the title tattooed on my arm :).
Aarons most overrated work IMO, its well structured, and quite deep, but do people really think this man can arrange an orchestra, or even play cello, or violin? Its nearly ALL sampled, simply cut and pasted from someplace to this cd. This cd does make it into my stereo from time to time, though i just see straight through it, when i hear most of these tracks, i just picture a little geeky guy sitting at his pc playing with the latest software for hours on end. A refreshing album, but not totally unlike V.Snares other work, he's just sampling strings and harmonies rather than beats and synths.
he is both using samples (for example sir Edward Elgar's Cello Concerto 1st Movement makes the main melody in Szamàr Madàr) and writing melodies for synths on this album. in an interview he stated he was deeply into East West wavetable VST's at that time, which are sample-based virtual synths: so he also wrote much of the string parts.
I have somewhere seen a list of sources for this album but I can't find it now. Seriously man. I totally agree with Athracene, VS just tried to get into hearts of emotional people and to make something "deep" and he just lost the real "soul" of his previous (and next) works. The result is less breakcore and less real venetian snares. And I just don't get it.
fuck man are you serious, he's just sampling?
One of my favourite Vsnares releases.
This is the album that introduced me to Venetian Snares after hearing about his material through various sources. I was expecting more clicky Autechre-like IDM, which to be honest, I find more difficult with what I was presented with here. After hearing the first track though, I was questioning my small amount of knowledge about Mr. Funk. "Piano? Surely not!" With the second track, I knew what this album was all about; breakcore and classical. This fusion probably makes this album the most innovative IDM album. I still think Aphex Twin's "Drukqs" is the best, but this album really is a new step. The version of Gloomy Sunday here is also brilliant, maybe even better than the Associates' version.
The feeling of solitude and sadness runs straight through this album, although some might say that some of the compositions are melancholic for the sake of it. The beats are as you would expect from Mr Funk, frantic, organic and all done in weird 7 beat time signatures. Track 3 (Gloomy Sunday) makes excellent use of an old croon sample, and builds up to one of the most apocalyptic climaxes i've heard in a long time. Maybe it isn't consistently jungle orientated, but it is an excellent listen, and makes excellent use of classical elements.
At the first glance this album may seem to be a mixture of incompatible sounds and technics, employed just in order to make breakcore clatter in an even more bizarre, unusual and - when it comes to the classical music - impudent way. But nothing could be as wrong as such claims. Neither violins, nor talking to birds should earn this VS release its credit :) Nor even hungarian title(s) as one might think. What makes this album a work of art is the very feeling it gives, melancholy, a cathartic mood, springing from both extremes: dark, scary sounds, heavy percussion and heartbroken strings. These diversities complement one another in an unpredictible tension, in a sort of dialectics, that should remain unresolved forever. Aaron Funk is not only a gifted breakcore artist, he is a talented musician, with a perfect sense of harmony and willingness to pursue new terrains of the bliss we call Music..."Rossz Csillag Alatt Született" is a masterpiece.
I've been following Venetian Snares since his love-a-track, skip-a-track days. I don't doubt that Venetian Snares has a large number of fans on the audio terrorism circuit, but I tend to like my things with a bit less insane edge while still exploring complex rhythm and melodies. I've never doubted his extreme talent, but a lot of his releases are too "hard" for my tastes. I read somewhere that the title of this album translates to "Born Under a Bad Star," and that is certainly the feeling you get when listening to the album. It is one part orchestral, one part insane drum programming, and one part waking nightmare. Every single track fits in at least one of three categories: sinister, melancholy, or angry. Often songs will fit into more than one of those containers, but from start to finish this album is the best "dark" album I have ever heard. It messes with your mind, furrows your brow and gets your blood pumping. Though the year isn't over yet, I think this is probably the best album I bought in 2005.
this album is little more than someone applying break-ish drumlines over "sad" and "epic" orchestra samples to make kids think that its somehow more mature and enveloping than something else, and that its "deeper" than his previous work (it's not). i was told that he played violin on this album. but you know, a lot of people can play violin. and a lot of people add it to their music. its not rocket science. it doesnt further prove that this album is great. it sounds like sloppily made breakbeats and typical percussive elements that have been used to death by venetian snares, now with gothic orchestra sample pack hits coupled with a sparse approach to chalk up emotional factor. but it even fails to do that for me--it feels utterly insincere and emotionally flat.
A brilliant offering. Sometimes haunting, and always beautiful. At times this album reminds me of Kronos Quartet's work with Clint Mansell for the Requiem For A Dream soundtrack (listen to Felbomlaszt Mentökocsi and tell me it isn't so!). The departure from Funk's usual frantic breakcore/drill'n'bass is more than welcome when its presented with such ambition and flair. A definite must hear, and likely destined to become a modern classic of the genre.
This is something serious. The album combines classical style with breakcore. And it makes it real good. The hungarian name of the songs are intresting too. And here are the names translated: rossz csillag alatt született: it was born under a bad start. that means in hungarian, that something or someone goes with really bad luck from the beginning. sikertelenség: unsuccessfulness. szerencsétlen: unlucky. öngyilkos vasárnap: suicid sunday. felbomlasztott mentõkocsi: disintegrated ambulance. hajnal: dawn. galamb egyedül: pigeon alone. the verb is missing, so when you read is, you have some feeling too that something is missing. in such form the sequence of words is weird too. második galamb: second pigeon. the disturbance from the name of the track before is gone. szamár madár: donkey bird / jackass bird. donkey could be an epithet or a noun too. hiszékeny: credulous. kétsarkú mozgalom: two poled movement. senki dala: song of no one. Of course some of the terms could have second meanings, but after translating the words, i have the opinion, that the titles were originally in english, and then they were translated to hungarian.
Extremely solid composition, beautiful instruments, and some truly epic songs. I highly recommend this to anyone looking for something new, original, and highly enjoyable. Beautiful orchestral music overlayed with addictive beats and breaks. Very cool.
"Rossz Csillag Allat Született" is Aaron Funk's most ambitious work to date. This album got a different feeling. Maybe because of the Hungarian strings maybe the fact of Aaron himself have played violin on several tracks of the album. The point is that "Rossz Csillag Allat Született" is Venetian Snares in a very mature, dramatic way, testing new environments, new sonorities and trying to stay away from the pitiful label called "breakcore". His music is way too solid and diversified to be labeled in one single style. "Rossz Csillag Allat Született" is the confirmation of Aaron Funk's new directions. 10 (out of 10)